Dubbing Gone Wrong: Americanization, Racism, and Willful Ignorance
Deconstructing Horror: Haunted Houses
The Conjuring (2013)
A Review of Flashback by Dan Simmons
Sharon Lee and Steve Miller’s Liaden Universe – Trade Secret Tour
All Aboard for Mars! A True Story
Speculative Poetry Round-up October/November 2013
Addicted to Science Fiction
Ciencia ficción venezolana: Fedosy Santaella y una distopía
A Sentimental (Science Fiction) Education
Interview with Award-Winning Author Lois McMaster Bujold
Marvel Just Keeps Getting Better
Book Review: Among the Anthropophagi! by Bill Crider
London Expo: October, 2013
The Metal Man by Jack Williamson
Characters: Clare of Claymore
Creating Great Characters in Fiction
La ciencia ficción en Bolivia: Resumen histórico
Open Source Horror: The Slender Man
Film Review: Ender’s Game
Individualism, Atheism, and the Search for God in Cormac McCarthy’s The Road
Scide Splitters: Bill, the Galactic Hero by Harry Harrison
Fantastika 2013
An Introduction to the Empire’s Corps
Springer’s “Science and Fiction” Series Launched!
When Science Fiction is Not Science Fiction
Novedades de Octubre en Hispanoamérica
AMAZING NEWS: Nov. 3, 2013
What Traditional Publishing Can Learn From Self-publishing
The Amazing Virgil Finlay
Theatre Review: Override by Stacey Gregg
Characters: Tomb Raider’s Lara Croft
What the %&*# is Perry Rhodan?
Books That Never Were – Farewell Atlantis
“Don’t Worry Grandma! I Don’t Read Comic Books, Just the Classics!”… (Illustrated)
The Icon of Monsters and Monster Models
Review: Ink Mage by Victor Gischler
Women in Armour vs. Chicks in Chain-mail
Sequential Wednesdays #23.1 – NYCC ’13 Interview With Paul Pop
TIME MACHINE: Past Popular Posts
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