“Ciudad Jenga” de Villacís, una distopía contemporánea
Ecuadorian writer Efraín Villacís’ new novel is dystopian science fiction
Ecuadorian writer Efraín Villacís’ new novel is dystopian science fiction
A discussion of “post-historical” science fiction, based on The Unpublished Adventures of Teofilus Jones by Fedosy Santaella,
Examination of the Eduadorian author Leonardo Wild and his novel Unemotion, first published in German, then translated to Spanish
It’s that spooky time of year again when thoughts turn to scary books and movies. I decided to ask two of my favorite groups on Facebook – the Science fiction Romance Brigade and the SciFi […]
Eli K. P. William’s Cash Crash Jubilee is a fun, smart read, a great way to start a trilogy of novels.
Alberto Moreno Pérez talks about the philosophy in his new novel, Antrópica; contest news; and more.
Announces the transfer of a collection of Spanish speculative fiction texts, some of them quite rare, to a university library and the publication of a collection of Russian speculative fiction in Spanish.
THE WITCH OF ZAL by Kerry Gans is a book of two journeys. One taken by a heroine traveling to a magical land, and one taken by the readers who experience a re-imagined classic.
Nina Munteanu explores issue surrounding eco-fiction and optimistic science fiction with four female speculative fiction authors and/or publishers.
Marcher is Chris Beckett’s second novel, now making its UK debut in a significantly revised edition from Newcon Press. When his first novel to be published in the UK, Dark Eden (2012), won the Arthur C. Clarke Award, Chris Beckett seemed to many to have come out of nowhere. In-fact the author had been steadily publishing short stories since the beginning of the 1990s and his first book, The Turing Test (2008 – Elastic Press), had won the Edgehill Prize, the UK’s only national award for single-author short story collections…
Do we need more surveillance or less? A look at whether big brother should get bigger?
Reviews of recently published fanzines and thoughts on thought police.
Reading about famous authors before they were famous may give some aide and comfort to those struggling now.
There are two broad strains of horror fiction. One assumes that the world is falling apart, and depicts that process. The other assumes that the world is eternal, and depicts it falling apart.
It is a profound mistake to interpret the genre of science fiction literally
Will you stand for something? Or settle for anything?
Last week, we talked about how works of speculative fiction deploy techniques commonly found in literary fiction. This week, we’re going to flip that coin and look at how mainstream literary fiction employs techniques developed […]
Welcome to the Amazing Stories BLOG HORDE INTERVIEWS! The ASM Blog Horde is a diverse and wonderful species. I have the privilege of talking with all of them, and I get to share those chats with […]
Whenever I think of speculative fiction’s relationship to romance, I am always reminded of that scene in The Princess Bride where Fred Savage’s character interrupts his grandpa and – voice dripping with scorn – asks: […]
Welcome internet traveler. I will be stockpiling neatly organized bits into a collective known as a blog along this portion of your journey. Do not fear for your personal safety, as I will take great […]
Memorable first lines can not only make-or-break a story, these quick literary introductions can become just as iconic as the entire body of work.
Today – Matt Mitrovitch looks at Balkanized America in Alternate history, Adam Gaffen interviews Kevin J. Anderson, and J Simpson reviews the audio work Weird Tales for Winter. Tomorrow – Samantha Henry takes a look […]
Fantasy, Horror and Science Fiction can exist in the real world, or create hermetic worlds of their own. Which is to say genre fiction can follow the rules of the real world, or make its […]
Adam Gaffen for Amazing Stories Magazine: Our first Interview is with K.D. Emerson, author of – well, let’s just get right into this, shall we? What is the title of your book? K. D. Emerson: Oooh […]
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