Omnivores In Space

when I read, I notice what people are eating. This is one of those little clues that can tell you a lot about how a fictional world is constructed and how its author sees it.

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IlluXcon Roundup: Interview with Iris Compiet

The story is about a little princess whose parents want her to marry a prince, but all the princes are just not very interesting to her, they are nice but there’s no spark… and that’s when she falls in love with another princess.

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Review: Ink Mage by Victor Gischler

Ink Mage is not your typical fantasy adventure story. In fact, author Victor Gischler is not your typical fantasy adventure writer. But rest assured, the two have come together into an impressive display of epic storytelling.

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Con Report: CAPCLAVE 2013!!!

While I’ve been reading SF for ages, I haven’t participated much in the fandom aspects of the genre. I’ve only been to one other convention and I only made it for a single afternoon. Needless to say, three days seemed like a marathon.

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On Ghost Hunters

Have you heard a strange bump in the night? Perhaps a door mysteriously opened or slammed shut? My advice, read Carl Sagan’s The Demon Haunted World.

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How Not To Host A Website -or- The Further Adventures Of A Twentieth Centure Computer Illiterate In the Twenty-First Century

As late as twenty years ago a fanzine panel at a VCON would draw thirty to forty fen, all curious, many enthusiastic, all appreciative of any sprightly and hilarious tales to be told springing from fanac lore, tradition, and experience. But now…
I stopped participating in convention panels promoting fanzine fandom when the four panelists on the panel outnumbered the audience four-to-one…

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Ooky Spooky Animanga Part V: The Japanese Fascination with Spirits

Every culture has its ghost stories. Here in the West, ours tend toward narratives depicting souls who died violent deaths and have returned to take revenge. Or perhaps we tell tales of those who have died too soon and only wish for eternal playmates. As I briefly mentioned in my post last week, the Japanese have a very rich and far-reaching pantheon of spooks. The majority of these ghosts and their stories grew out of the Edo period (1603-1867; thus why a show like Mononoke asserts itself as particularly Japanese horror), and ghost stories with a certain antiquated style to them, or an air of the past, are usually referred to as kaiden (mysterious or strange recited narrative), whereas more modern horror stories would simply be called hora (a Japanization of “horror”).

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