BOOK REVIEW – WRITERS OF THE FUTURE VOL 40

It’s been a bit over 40 years since L. Ron Hubbard began the institution Writers of the Future to “pay forward” his success in writing science fiction. In that time, well over 800 writers (and illustrators!) have won awards, most going on to major careers in the field. This week, Steve reviews the 40th volume in the series. And finds it excellent!

Read More

LoneStarCon 3 Photos

With my schedule pressing in on me from all sides, I decided this was a good time to share some more photos from the 71st Worldcon. LoneStarCon 3 was filled with amazing fans and dazzling stars. All photos were taken by Shawn McConnell. Hope you enjoy these LoneStarCon 3 photos.

Read More

Review: Starship Century

Starship Century is a book that needs to be read. It is a sad state of affairs when we need to be discussing the importance of space exploration. Yet here we are, pleading to the masses for what should be the obvious. Why go to the stars? – Because if we don’t, who will?

Read More

Crossroads: Speculative Devices in Police Procedurals

Character, Context, and Procedure: The Cores of the Police Procedural One can’t analyze science fiction and fantasy without running into certain words over and over again: World-building. Sense of wonder. Neologism. Cognitive estrangement. Novum. These […]

Read More

From the In Box 4/18/13

StarShipSofa LiveCast KGB Reading Angry Robot’s Strange Chemistry Signs Sarah Raughley Via Facebook: the accented Tony C reminds us that – Live Online In Video: An Audience with SF legends… Larry Niven – Jerry Pournelle […]

Read More

Amazing News, Thursday, March 28th 2013

NOTE: Unless otherwise noted, articles linked to here are sourced from SF Signal and File 770. One of my all-time heroes gets a “non-action” figure all to himself.  Forrest J. Ackerman, Science Fiction’s #1 Fan, […]

Read More
Scale: Ideas vs Characters

Crossroads: A Genre Darkly

World-building, extrapolation, analogy, conceptual breakthrough, thought experiment – these are science fiction’s basic methods. Other genres might occasionally borrow them, but SF has sharpened them to a razor’s edge. So what happens when this set of tools works alongside the themes, styles, and plot structures of noir?

Read More