In early December, I saw an advanced screening of The Unknown Known, the latest documentary by Errol Morris (even if you’re not a documentary enthusiast, you’ll probably know of his The Thin Blue Line, a […]
American Horror Story: Coven makes me uncomfortable. Not uncomfortable because it’s frightening or gross or shocking. Uncomfortable in how it handles race. I’m not entirely sure how to process Coven‘s take on race—I’m a straight […]
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