Asni’s Art Blog: Angels
Astrid examines the evolution of the Angels as the subject of fantastical art.
The Beast That Shouted Love at the Heart of the Comic Book
Harlan Ellison gets his Dumas on.
Silvia Angiola – Axxón – por M. C. Carper
M. C. Carper interviews super fan and film reviewerSilvia Angiola: Just how well do english language films play out in the spanish speaking world?
Entrevista a Ciruelo: El Amo de los Sueños/ Interview to Ciruelo: Lord of Dreams
A multi-lingual interview with Plum
The Artful Collector: Art Hierarchies #6: Art that is Signed is Better than Art that is Unsigned
The Artful Collector gives some tips on why you should always get signed artwork.
Trips to Hidden Places
Astrid shows us the way to Shangri-La, and other mystical, hidden places
RWBY: The Anime-Inspired Webseries I Can’t Stop Talking About
Morgana Santilli talks about what makes RWBY a great animated series, and webseries.
The Artful Collector: Art Hierarchies #5: Art that Costs a Lot is Better than Art that Costs a Little
Examples of how art hierarchies are determined by what people will pay for an artwork.
Why I write SF Theatre
There’s something beautiful about the live nature of theatre, that makes you feel that you’ve trespassed or that you’ve been invited
Review: Crazy 4 Cult: Cult Movie Art 2 by Gallery 1988
Crazy 4 Cult: Cult Movie Art 2 by Gallery 1988 is a 176 page walk through the tremendous artwork one would find while walking through the annual display conceived by Scott Mosier and Kevin Smith called Crazy 4 Cult.
Top Post de Octubre en Amazing Stories
Libros Hubo muchas reseñas de libros el mes pasado. Gary Dalkin reseña la colección de 10 historias Feast and Famine: Book Review – Feast and Famine by Adrian Tchaikovsky. Steve Fahnestalk nos recomienda el libro […]
IlluXcon Roundup: Interview with Iris Compiet
The story is about a little princess whose parents want her to marry a prince, but all the princes are just not very interesting to her, they are nice but there’s no spark… and that’s when she falls in love with another princess.
JORGE CLAUDIO MORHAIN– Historietista por M.C.Carper
Interview with comics writer JORGE CLAUDIO MORHAIN
The Artful Collector: Art Hierarchies #4: Originals are Better than Reproductions
Reproductions will almost certainly have no value at all. Except as “decoration.”
Interview with Carl Critchlow, artist, illustrator and inventor of Thrud the Barbarian
Carl Critchlow has been an artist and author on the SF and fantasy scenes for almost thirty years, during which his work has appeared in DC Comics as well as 2000AD.
New York Movie
Edward Hopper’s New York Movie, though not a fantasy painting, inspires artist M. D. Jackson to write a fantasy story.
Felipe R. Ávila — Historietista por M. C. Carper
M. C. Carper interviews Felipe R. Ávila for Amazing Stories.
It’s Halloween!
Need some scary, macabre, bizarre inspiration for all hallows eve? Look no further!
Interview: Black Science Fiction Artist: Eric Wilkerson
My earliest memories are of waking up to watch the Jetsons, Voltron, and many other sci fi–based cartoons of the 80s.
H.R. Giger
Very few artists have had as big an influence on horror illustration and on the look of horror films as had Swiss artist H.R. Giger.
Ooky Spooky Animanga Part V: The Japanese Fascination with Spirits
Every culture has its ghost stories. Here in the West, ours tend toward narratives depicting souls who died violent deaths and have returned to take revenge. Or perhaps we tell tales of those who have died too soon and only wish for eternal playmates. As I briefly mentioned in my post last week, the Japanese have a very rich and far-reaching pantheon of spooks. The majority of these ghosts and their stories grew out of the Edo period (1603-1867; thus why a show like Mononoke asserts itself as particularly Japanese horror), and ghost stories with a certain antiquated style to them, or an air of the past, are usually referred to as kaiden (mysterious or strange recited narrative), whereas more modern horror stories would simply be called hora (a Japanization of “horror”).
Fátima Rodríguez Serra—Arte Óptico-Poesía por M. C. Carper
M. C. Carper para Amazing Stories: Hola ¿Quién eres? Preséntate con tus palabras, por favor.
Fátima Rodriguez Serra: Soy una ciudadana peruana que nació el 30 de junio del año 1956 en el mágico y monumental distrito de Barranco en la ciudad de Lima, mi nombre es Fátima Rodríguez Serra, soy Economista de profesión, dibujo y pinto arte óptico en homenaje a las matemáticas y a la geometría, escribo y recito poemas inspirados en el amor, y leo y escribo cuentos para niños e historias de ciencia ficción.
The Artful Collector: Art Hierarchies #3: Art Done for Love is Better than Art Done for Money
The more we detect fake sentiment or emotion, or (in our case) pandering to a love of dragons and wizards – as opposed to honest “self-expression” – the less we are going to care whether “just for the love of it” was the reason for creation
Do you Like Monsters?
That’s right, FAMOUS MONSTERS, Forrest. J. Ackerman’s beloved magazine that sported covers featuring wonderful portraits of famous monsters, most of which were painted by artist Basil Gogos.
Lisbeth Salander
We’ve been having some pretty wild weather here in the Wairarapa lately, which meant that I’ve been sitting without power for over 24 hours earlier this week. While sitting around waiting for the contractors from the power company to turn up and put me back on the grid, I’ve managed to read myself through a substantial chunk of Stieg Larsson’s “Millenium” trilogy*: finally! I should say!
The Artful Collector: On Iconicity in SF/F Art: Aren’t You Tired of Dragons, Robots and Monsters?
Our field of collecting is known for them: wizards, elves, and things with wings, especially dragons . . . on one side, and saucers, rockets, robots and things looking monsterish, especially aliens…..on the other. And […]
IAAA Gallery: Steven Hobbs – Visual Explorer
Steven Hobbs encourages us to look to the skies.
The Artful Collector: Art Hierarchies #2: “Fine Art” is Better than “Illustrative Art”
Please don’t shoot the messenger. I’m not responsible for the “high” and “low” art divide—into which categories we’ve shoved “art we collectively treasure” vs “art we collectively enjoy,” respectively. I’m just here to generalize, and to […]

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