Open Source Horror: The Slender Man
Report on the Award Ceremony of the 25th Galaxy Awards, China’s Highest Science Fiction Award
Are You Ready for Five Nights at Freddy’s?
Speculative Poetry Round Up October 2014
Deconstructing Horror: Haunted Houses
No Hack, but Lots of Slash: An interview with M. Harold Page
Space Shuttle First Flights: Ten Pounds in a Five Pound Sack
The Nine Billion Names of God by Arthur C. Clarke
Interview With World Fantasy Award Nominee Author Scott Lynch
Once Upon a Time in Wonder(ful)land
The Artful Collector: How (and when) to Part with Art
The Big Bang Theory Recap: Season 8, Episode 5: The Focus Attenuation
The Ten Greatest Wizards of All Time
The Top Ten Best Superhero Movies of All Time
When Did Science Fiction Begin?
A Publisher’s Perspective on Profits: ebooks vs print
Eleonora by Edgar Allan Poe – Designed & Illustrated by Duncan Long
COMO “MATAR” A LOS ESCRITORES: Un análisis del efecto del “sistema” en el accionar del escritor
The Icon of Monsters and Monster Models
Amazing Stories has Amazing Stories!
Book Review: Blind Shadows by James A. Moore and Charles R. Rutledge
Embracing Dragon Age’s Source Material
Recap: “Ko No Mono,” Hannibal, Season 2, Episode 11
Individualism, Atheism, and the Search for God in Cormac McCarthy’s The Road
Six Possible Changes to the World Map by 2020
Space Shuttle First Flights: Phil Shaffer (Again)
This Is What Science Fiction Theatre Looks Like: A Trifling Matter By Susan Gray
Happy New Year! My Top 25 Horror Moments Of 2013
The Metal Man by Jack WilliamsonBlog
Asni’s Art Blog: The Painting of Earthsea (part 2)
Streaming Genres: SF, Fantasy and Horror on Hulu and Hulu+
Women in Armour vs. Chicks in Chain-mail
Marvel Comics “Worlds Unknown” of Known Science Fiction, or: A Good Idea Gone Flopnik?
Your Reviewer, Some Modern Urban Fantasy and Some Thoughts on Publishing and Stuff
Noticias literatura 22-10A Publisher’s Perspective on Profits: ebooks vs print
