Want to dig into the tropes and traditions of the fantasy genre? Matthew Sangster has come over from the University of Glasgow to give us An Introduction to Fantasy, and to retrace the steps that brought him to propose and then write the book.
People who love Fantasy know viscerally in their hearts what Fantasy does for them. However, when the time comes to explain why Fantasy is important and inspiring, it’s sometimes tricky to put this into words. The big idea for this book was very simple: to try and explain why we should care about Fantasy.
I wanted to write a book that drew on my experience as a literary critic to analyse what Fantasy does for its creators and audiences, but I also wanted to write a book that was faithful to Fantasy’s love of wonder and play, a book that was enjoyable to read, that welcomed people in as good fantasies do. To what extent I succeeded is another question, but that was certainly the idea.
In writing An Introduction to Fantasy, I wanted to broaden out what critics have tended to talk about when they talk about Fantasy. Most academic studies of Fantasy focus on novels specifically. I definitely wanted to write about novels: in the book I discuss, among other things, how Ursula K. Le Guin uses language to conjure Earthsea; how Guy Gavriel Kay and Steven Erikson make and unmake histories; how N.K. Jemisin builds her worlds; how Patricia A. McKillip quietly subverts the assumptions that underpin many Fantasy stories; and why Lin Carter was being unfair when he described Terry Brooks’ The Sword of Shannara as a ‘cold-blooded, complete rip-off’. However, for me, modern novels are only part of the picture. To address this, I wanted to pay proper attention to three other aspects of Fantasy…
Read more at: The Big Idea: Matthew Sangster