Galactic Civilization Hums Away in the Background in My Novels

0
400
DepositPhoto

 

This week at the SFF Seven, we’re asking:  How do you decide your world’s structure of
authority and/or governance?
The first thing to remember about me is that I imprinted on
Andre Norton at a very young age and when it comes to the kind of science
fiction I wanted to write, that was very much the flavor. I’m always at the
micro level, the personal level, the man and woman (and maybe some comrades)
battling the odds, respecting each other as they move through the adversity and
falling in love as the adventure gets resolved. That’s what I enjoy reading
(Ms. Norton didn’t have enough romance for me but she wasn’t trying to write
romance either.) It’s what my Muse or my creative mind or whatever you call it
has served up since I started writing at the age of 7.
I’m not wildly interested in the macro level – the interstellar
civilizations and the intricacies of governments, etc. I’ve read grand sweeping
books which explore these themes…but it’s not me. And if there’s not a couple
to care about (M/F, M/M/ F/F or any other love is love duo…on occasion a trio)
I’m usually gone at hyperspeed.
I liked how Ms. Norton’s science fiction novels occurred in
a galactic civilization that was never defined in too much detail but which
seemed vaguely familiar to me.

To tie back to my blog post title, the government of the civilization hums away in the background and doesn’t insert itselt into the stories in much detail.

When I established the Sectors in my world building, I very
much went for that model. It’s like the science in my novels – I don’t bother
explaining how the blasters work and I don’t bother explaining how the
government of the Sectors operates. Any more than I deliver a mini lecture on
how the State of California governs itself when I talk about living here and
some cute thing my cat did. It just is and let’s get on with the adventure and
the romance.

I guess if pressed, I’d tell you the Sectors is democratic
(no, don’t ask me how that works across the galaxy) more or less, with
bureaucracy and a functioning, ethical top notch military and an interstellar
crime syndicate and all kinds of corporations of varying influence, Non Goverment Organizations; rich people
(“Socialites” are usually their children), poor people and people in between…there’s
also the Outlier Empire, which is sort of Tsarist Russian in the way it
operates; the Hinterlands; the frontier; unaffiliated worlds and systems…lots
of room for yours truly to play.

And we haven’t even discussed the other
influences at work, like the Red Lady of D’nvannae, an ancient alien goddess
who runs an order of assassins who can be bodyguards at her whim. Or her
sister, the White Lady. Or the mysterious Mellureans…
(Waves hands although reader can’t see her.) It’s PEOPLE.
Doing human things.
And some aliens and Others….
My characters may visit a world ruled by an emperor, as with
Mission to Mahjundar, or be an
undercover cop in the Sectors Criminal Investigation Agency (nope, not doing a
spoiler and telling you who in which novel – sorry). It’s whatever the story
needs, in the general worldbuilding of the Sectors, which frames it all for me.
But I think it’s all heavily influenced by the world in which
I live.
My mind doesn’t run to outlining all the details of a
government, whether it’s led by a king or a president or something/someone
else. I build what I need for my story, or build out what’s already been done
for the Sectors in earlier stories and thinking. I do stay consistent with
myself.
I’m playing with a world ruled by an Alpha in my Badari
Warriors. As I described it in the most recent release, the power to rule over
all other Badari is buried in his DNA – these soldiers are genetically
engineered but there’s a LOT of plot to this series. If/when these soldiers and
their mates and allies manage to defeat the aliens who created them, and take
the planet for themselves, he’ll be the unquestioned ruler. I’m enjoying
playing within these boundaries and have already introduced some issues with
the humans, who like to rule themselves, or at least to feel they could come to
power someday. And unless you’re a Badari, it isn’t going to happen, not on
this planet. So I’m having fun with all of it but this is on one specific
planet, and they do hope to join the Sectors someday.
Now the ancient Egyptian books are a piece of cake,
comparatively speaking because their civilization was so detailed. I have a
Pharaoh and he has various officials to do his bidding, plus generals and high
priests and priestesses…and the gods keep a mostly benevolent eye on all of it.
My fantasy world of Claddare has many parts and some are
classic ‘kingdoms’ but others are clans or packs…I’m in a medieval mindset when
I write those stories.
My new release HONEYMOON FOR THE ALPHA: A BADARI WARRIORS
NOVELLA:

The blurb: Thrown together as helpless prisoners
in the punishing conditions of a Khagrish lab, Jill and Aydarr fell in love.
Claiming each other as mates despite only having one night alone in a cell,
they formed a deep, loving mate bond.

Now, a planetary year later, after
escaping the lab and leading the ongoing rebellion against the enemy together,
Aydarr longs for more. He wants a chance to show Jill how much she means to
him.
He decides to risk everything to take his mate away from it
all for a few days. But will the Khagrish, the threats lurking in the planet’s
unexplored wilderness and the Badari goddess allow them to complete A Honeymoon
for the Alpha?

 

This article was originally posted on SFF Seven

LEAVE A REPLY

Please enter your comment!
Please enter your name here

This site uses Akismet to reduce spam. Learn how your comment data is processed.