Gary Dalkin reviews Daphne du Maurier’s 1976 collection Echoes From The Macabre: Selected Stories. Which as the title suggests, is a reprint collection focusing on some of du Maurier’s more horrific tales.
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life. Relatively few are free enough from the […]
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