A look at Hunter x Hunter by Yoshihiro Togashi in comparison with his other major manga-turned-anime, Yu Yu Hakusho
It has long been a fascination that the shonen manga industry has allowed male characters who are not typically masculine to be interesting, complex, and relatable characters, as well as allowing women to take on the roles of young men.
Is anime a way for some of us to retain our childhood fancies? Or do we recognize ourselves in the characters we’ve chosen to admire? Morgana Santilli discusses her reasons for her favorite characters when she was younger and how her preference have changed with growing up.
Every culture has its ghost stories. Here in the West, ours tend toward narratives depicting souls who died violent deaths and have returned to take revenge. Or perhaps we tell tales of those who have died too soon and only wish for eternal playmates. As I briefly mentioned in my post last week, the Japanese have a very rich and far-reaching pantheon of spooks. The majority of these ghosts and their stories grew out of the Edo period (1603-1867; thus why a show like Mononoke asserts itself as particularly Japanese horror), and ghost stories with a certain antiquated style to them, or an air of the past, are usually referred to as kaiden (mysterious or strange recited narrative), whereas more modern horror stories would simply be called hora (a Japanization of “horror”).
This is the story of two little girls. They live down the street from each other, take the bus to school together, and are often mistaken for sisters.
Girls just love a bad boy, right? At least that’s what we’re led to believe in Western media. But I’ve never been into the bad boy trope myself (we are momentarily excluding Buffy the Vampire Slayer‘s Spike for a moment here). Still, I have found that I have a fondness for animanga that feature delinquents […]