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Morgana Santilli discusses etiquette of how to say you aren't interested in anime, and the prejudice you show in saying you don't like anime.
Is anime a way for some of us to retain our childhood fancies? Or do we recognize ourselves in the characters we've chosen to admire? Morgana Santilli discusses her reasons for her favorite characters when she was younger and how her preference have changed with growing up.
It is extremely difficult, as a creator of any sort, to escape your culture.
Every culture has its ghost stories. Here in the West, ours tend toward narratives depicting souls who died violent deaths and have returned to take revenge. Or perhaps we tell tales of those who have died too soon and only wish for eternal playmates. As I briefly mentioned in my post last week, the Japanese have a very rich and far-reaching pantheon of spooks. The majority of these ghosts and their stories grew out of the Edo period (1603-1867; thus why a show like Mononoke asserts itself as particularly Japanese horror), and ghost stories with a certain antiquated style to them, or an air of the past, are usually referred to as kaiden (mysterious or strange recited narrative), whereas more modern horror stories would simply be called hora (a Japanization of "horror").
I am glad that I've never had to defend myself and what I love because of something so trivial as my gender expression. I can only hope that the entirety of fandom can grow to this point and further as dialogues surrounding hobbies and sexism continue to spring forth.
This is the story of two little girls. They live down the street from each other, take the bus to school together, and are often mistaken for sisters.
The thing that's kept me coming back to Shin Megami Tensei over the years has been its most Sci-Fi element: its sense of discovery....
There is a small fishing island in Japan, Tashirojima, which has been dubbed "cat heaven" because of the phenomenal amount of stray cats living...