REVIEWS: MARCH-APRIL 2021 F&SF and FREAKY
Steve reviews the March-April F&SF and then the newish movie “Freaky.” Should you watch it? Maybe, if you’re younger than, say, 30. Otherwise… meh.
Steve reviews the March-April F&SF and then the newish movie “Freaky.” Should you watch it? Maybe, if you’re younger than, say, 30. Otherwise… meh.
For C.C. Finlay’s last edition of F&SF, Steve has nothing but kind words. What will the future—and F&SF’s new editor, Sheree Renée Thomas—bring?
This week Steve reviews the November-December issue of F&SF. It’s also the second-to-last issue that will be edited by C.C. Finlay, who wants to return to writing. It’s a fine issue to end the year on!
Steve continues his F&SF reviews with the current (Mar-Apr) issue. He finds it a nice blend of SF (even some “hard SF”) and fantasy (even “hard” fantasy!).
For his final column of 2018, Steve dives into the Nov./Dec. issue of The Magazine of Fantasy & Science Fiction, which everyone just calls “F&SF.” It tastes great and is more filling with fewer calories than competing magazines!
Instead of a Festivus Tree, for his last column of 2016, Steve offers a review of the last Magazine of Fantasy & Science Fiction of 2016, and best wishes for 2017, or whatever the new year will be in YOUR reality.
The January/February issue of The Magazine of Fantasy and Science Fiction (F&SF) is under review by Steve, who likes it a lot, even though a couple of the stories kind of depressed him. You will probably like it too!
Steve has been an active fan since the 1970s, when he founded the Palouse Empire Science Fiction Association (PESFA) and the more-or-less late MosCon in Pullman, WA and Moscow, ID, though he started reading SF/F in the early-to-mid 1950s, when he was just a sprat. He moved to Canada in 1985 and quickly became involved with chairing or helping run Canadian cons, including ConText (’89 and ’81) and VCON. As a fan, he’s published a Hugo-nominated (one nomination) fanzine, New Venture, and he’s founded two writing groups (Writers’ Bloc and Writers of the Lost, Ink). He’s emceed and auctioned art at many West Coast and Northwest conventions including one Westercon. As a writer, he’s published a couple of books and a number of short stories (including one in Compostella [Tesseracts 20], and has collaborated with his two-time Aurora-winning wife Lynne Taylor Fahnestalk on a number of art projects. As of this writing he’s the proofreader for R. Graeme Cameron’s Polar Borealis and Rhea Rose’s Polar Starlight publications. He’s been writing for Amazing Stories off and on since the early 1980s. His column can be found on Amazing Stories most Fridays.

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