The Electric Zone, based on Simon Stålenhag’s paintings, looks as if it would really rock as a science-fiction movie. But visuals aren’t everything; a film needs involving characters and plotlines, and this one is woefully lacking. Enjoy the visuals and turn off the sound.
This week Steve talks about some filk, some fan musicians, and even a movie! Yes, the sequel to Jurassic World is up… will it be a drubbing or roses and a bottle of champagne? Read it and see!
The Lego Movie is out on DVD–does it lack heart? Steve tells all.
Steve has been an active fan since the 1970s, when he founded the Palouse Empire Science Fiction Association (PESFA) and the more-or-less late MosCon in Pullman, WA and Moscow, ID, though he started reading SF/F in the early-to-mid 1950s, when he was just a sprat. He moved to Canada in 1985 and quickly became involved with chairing or helping run Canadian cons, including ConText (’89 and ’81) and VCON. As a fan, he’s published a Hugo-nominated (one nomination) fanzine, New Venture, and he’s founded two writing groups (Writers’ Bloc and Writers of the Lost, Ink). He’s emceed and auctioned art at many West Coast and Northwest conventions including one Westercon. As a writer, he’s published a couple of books and a number of short stories (including one in Compostella [Tesseracts 20], and has collaborated with his two-time Aurora-winning wife Lynne Taylor Fahnestalk on a number of art projects. As of this writing he’s the proofreader for R. Graeme Cameron’s Polar Borealis and Rhea Rose’s Polar Starlight publications. He’s been writing for Amazing Stories off and on since the early 1980s. His column can be found on Amazing Stories most Fridays.
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